Professional Music Engraving and Encoding
Whether you’re a publisher or an academic institution – we’ll provide all-round service for your musical notation, engraving and digital encoding projects.
Highly acclaimed when first published in France 2006 Jonathan Littell’s monumental novel was more controversially discussed when later published in Germany. In an historic setting the reader follows the fictional protagonist Max Aue—a high-rank SS officer—through his cruel adventures during the holocaust. Händl Klaus prepared the libretto from the German translation for Hèctor Parra’s full-length opera staged by Calixto Bieito. Peter Rundel is conducting. The premiere is on the 24th of April at Opera Vlaanderen in Antwerp.
Hèctor talks about the project in a short video.
(full performance materials by NGB)
The 9th edition of the Acht Brücken-Festival will feature –amoungst many other works– two First Performances by Sergej Newski and Rebecca Saunders. The SWR Symphonie Orchester under Teodor Currentzis will premiere Sergej’s “18 Episodes for Orchestra” and Klangforum Wien under Julien Leroy Rebecca’s new work for ensemble “Scar”.
During the festival you will also have a chance to listen again to Enno Poppe’s monumental composition “Rundfunk” for 9 Synthesizers, recently premiered at Musiktage Donaueschingen.
Also in Cologne on the 19th, 20th, and 21st of May Philippe Manoury’s “Lab.Oratorium” will be premiered by the Gürzenich-Orchester under François-Xavier Roth.
(all performance materials of the mentioned works by NGB)
has had its well received premiere at Donaueschingen.
The composition was co-commissioned by Südwestrundfunk, Wien Modern, Huddersfield Contemporary Music Festival, Philharmonie Luxembourg, Festival d`Automne à Paris, Acht Brücken Köln, Deutschlandfunk Kultur and musica viva (Bayerischer Rundfunk).
(performance materials by NGB)
Barbara Buczek‘s huge orchestral setup – maybe the largest “chamber ensemble” so far – comprises of 89 instruments. She finished this composition in 1974 and some parts of it have been performed during the “Warsaw Autumn”.
Only now, more than 40 years later, the complete opus will be published by PWM for the first time and recorded soon as part of the “sto na sto” project.
We digitally cleaned up and re-layouted the handwritten full score, while the 500 pages of instrumental parts were newly engraved.