Professional Music Engraving and Encoding
Whether you’re a publisher or an academic institution – we’ll provide all-round service for your musical notation, engraving and digital encoding projects.
Just arrived from the printer and quickly forwarded to the BBC in London — the full score for Evan Johnson’s measurement as contrition: three canons to be performed by Ilan Volkov and the BBC Scottish Symphony Orchestra on the 9th of May during the Tectonics Festival.
(copy-editing and engraving by NGB)
Seventy years after its conception Philippe Manoury and Jean-Louis Leleu reconstructed the 4th movement of Boulez’ only string quartet “Livre pour quatour”. It will soon be published in a new complete edition by Leduc and performed for the first time. This image depicts a snapshot in the editing process towards the final version.
(performance material by NGB)
The Berlin Academy of Arts is holding a two month Huillet/Straub retrospective, including the filmmaker duo’s Schoenberg films in a “Schönberg-week“. The Kammerensemble Neue Musik Berlin under the baton of Stefan Schreiber is performing two pieces, Ming Tsao’s “Refuse Collection” and Tsao’s arrangement of Schoenberg’s “Begleitmusik zu einer Lichtspielszene”. The performance includes a screening of the 1973 Huillet/Straub film “Einleitung zu Arnold Schoenbergs Begleitmusik zu einer Lichtspielszene”.
(Performance material by NGB)
Digital workflows are becoming increasingly important — check out the offer and services of our new department.
On Sunday, 12th of November, the Komische Oper Berlin is screening the silent movie “Arsenal” (Ukraine, A. Dowschenko, 1929).
Alexander Grebtschenko has composed a new music to be played live by the Orchester der Komischen Oper under the direction of Frank Strobel.
(performance materials by NGB)
During the Musikfest Berlin Donatienne Michel-Dansac, Enno Poppe and the Ensemble Musikfabrik will premiere a 70 minute new work for soprano and “spatialised ensemble” called “YES”! There are twentyfive modules in total and number 24 “Nether” forms the core ensemble section based on the monologue of Molly Bloom from Ulysses by James Joyce.
(copy editing and performance materials by NGB)